I have just finished Ted Dekker’s Circle series for the second time in my life (the first was many years ago). If you’re not familiar with it, it is a pretty worthy entry in the realm of Christian fantasy. Like a surprising percentage of Christian fantasy, it involves two parallel realities with the main character, Thomas Hunter, visits back and forth (although one is not so much another reality as a radically changed version of earth 2000 years in the future). Most interestingly, Thomas switches realities by dreaming. Every time he goes to sleep in one world, he wakes up in the other.
The basic idea of this second world (which receives no unique name) is that what was spiritual in our reality take physical form there. Angels and demons are large, bat-like creatures called Roush and Shataiki, respectively. Satan is a massive Shataiki named Teeleh capable of both beautiful and awful appearance. Sin manifests itself as a disease which affects the skin, joints, heart, and mind. God, who goes by Elyon in this realm, puts His own power and presence in lakes which can usually be breathed. There are several other thought-provoking connections of this kind, but unfortunately I’d probably give too much away to mention them.
It is in this context that the Circle books, Black, Red, White, and Green, trace a story in each reality. In our world, Thomas Hunter fights to stop the impending apocalypse (of which he learns from the other, future reality) caused by a biological weapon. In the other world, he finds himself mixed up with the whole sweep of redemptive history as it is played out in this new mix of the physical and spiritual.
At this point, I’d simply say “Read it” before explaining anything more about what happens. But there are a few things I’ve been thinking about in its wake that I’d like to mention. Some of these are hinted in the title, but some are not.
First, Dekker’s main emphasis would have to be God’s love. Much of the series is devoted to the experience of Elyon’s love for the people of the other reality, often through their swimming in Elyon’s waters or, also importantly, through human romance. Elyon also appears on several occasions, always expressing his love for his creation and inspiring in Thomas or whoever a powerful sense of reciprocal love. Granted, some of this comes through in ways which I don’t find theologically agreeable (there is, for example, no sense of even a qualified divine impassibility), but as a sign and pointer to the love of the true God it is worth the read. No matter how you feel about the details, it will push you to consider just how much God loves us all. Much of this comes through the other reality’s explanation of their religion as the Great Romance, which patterns all of life after Elyon’s love for his creation and focuses especially on how this can be expressed through marriage. Elyon’s pattern, which the people are encouraged to follow, is to choose, to pursue, to rescue, to woo, to protect, and to lavish. I think this is nutritious food for the Christian imagination.
Second, one of the most powerful images you will find in the series is baptism as a literal drowning into blood-water. I won’t give too much away about the plot connected to this, but I do want to highlight some good stuff here. To follow Elyon, his followers drown in red water and then return alive. This alone is powerful, showcasing the radical commitment baptism is meant to express, its efficacy, and how it binds us to Christ’s death and resurrection in our own lives.
The baptismal imagery is even better, though, because of water happens as they drown. They experience great pain as they see in shock and horror the blackness of their own hearts, and they are forced hear Elyon scream in anguish at their evil. This all happens before they can return, before they come out of the water alive. This combines with a wider theme of the series in exposing evil with all its awfulness. The descriptions of the Shataiki and their doings can be incredibly disturbing at times, along with the violence they inflict on Elyon’s people. If these books were made into movies, they would probably need to be rated R (maybe PG-13 if they had a squeamish director) for terror and frightening images, even if these in fact don’t make up a ton of the story. The lengths to which certain characters are simply consumed and seduced (sometimes more literally) by evil and darkness can also be disturbing in another way. All of this makes for a rather accurate depiction of what sin actually is and how God actually sees it, unlike the more tame and less offensive mental images we tend to harbor to excuse our depravity.
Third, Dekker’s theology is, like a lot of Christian fiction writers, strong in some areas but weird in others. He focuses more than I can understand on free will, and I say that as someone who’s not a Calvinist (in the classical sense). His commitment to a free will theology/theodicy/philosophy leads to a few oddities here and there (such as Elyon telling Thomas, “I have a lot riding on you”), but most weirdly to the suggestion that we need full free will so much that there will remain through all eternity the possibility of yet another Fall, yet another need for redemption. This has various problems, I think, but I’ll grant that it has more logical consistency than what many free will-focused theologians suggest about life after death. That said, he still makes it clear that Elyon is all-knowing and has a comprehensive plan for and through all of the free decisions of his creatures. And of course, like most evangelicals these days, he’s definitely into the bloody, Left Behind-ish, premillenial, apocalyptic literalism that taints so much eschatology, even if this comes out much differently in his other reality’s apocalypse.
That said, for a fantasy writer skeptical of formalizing or institutionalizing Christianity, he’s still remarkably conservative. Readers of the Circle series will not find hope for the salvation of unbelievers, certainly not universalism, nor any shyness about the Old Testament portrayal of God the Warrior, nor any indications of sympathy to the LGBT cause (indeed, his setup for the Great Romance seems to militate against this). This is refreshing in a day of more and more progressivism infiltrating evangelical circles and imaginations.
So, all that said, I don’t see much need for more of a conclusion. Just read the books. You’re up for a pretty fun story (though I liked it better before he added Green), and you will have loads to think about. If you’re anything like me, you will definitely find yourself provoked to thoughts of reverence, awe, and love toward God. That’s worth the 1600 pages, in my opinion.
Find the Circle Series on Amazon here